Business coursework; Fish and Chip shop (Burnham high street) Essay Example for Free

Business coursework; Fish and Chip shop (Burnham high street) Essay Introduction I am doing an investigation on a small local business to identify ways that it could be improved and what the business is doing wrong at the moment that is preventing it from making the progress that it could make. The local shop that I chose was the fish and chip in Burnham high street, SeaWorld. I chose this shop because I am a fan of seafood and when I go into a seafood place I expect to find many items that are actually seafood but normally they have different varieties of food but rarely any seafood. They normally have kebabs, chips, burgers, but chips are a necessity with fish. Preparation We started off making our individual surveys for both customers and workers and chose the best survey to be printed out. We also were planning on tasting the food in SeaWorld as well to see how good the product was. We thought of the types of shop that would be competitors. What we did For our research we had about an hour to go to the fish and chip shop in Burnham high street, but unfortunately SeaWorld was closed so we decided that some of us would take out the surveys on the public while the other group would see how the point of sale looked and find anything wrong with it. There were quite a few surveys done, and we managed to figure out some problems with the point of sale. Luckily there was a worker inside SeaWorld who did not mind us asking questions about his workplace. I think that we had taken a few surveys of people who go there regularly, but would have liked to see how the business was when it was open. Things like how many people go there, what there menu was, how well priced the food was, what majority of the regular customers thought of the seafood shop. We also looked out for competitors and how accessible their shops are, how their shops looked and how close they are to SeaWorld. Place SeaWorld is in Burnham high street and because it is quite a small high street even a small number of competitors would be a problem. There arent any seafood restaurants or seafood take-away as such in Burnham high street but there are cafes and fast food shops and there is a seafood shop in Burnham. These are also competitors because if people go into these shops it can pose a threat to the business of SeaWorld by reducing its market share. The other issue with the place is how easy it is for the customers to access the shop in terms of parking, distance and is there a contact number so they can order over the phone? The restaurant has a telephone number next to the restaurants name which is convenient for the customers and the business because it wont be crowded so they will have enough seats but they will still be getting the sales and revenue. The first take- away or restaurant that you see when you enter the high street from hog fair lane is SeaWorld which means that for ease of access and to save time people will go here. Therefore I think that the place that the seafood shop is not bad, but the look of the point of sale from the inside and outside needs to change. It needs to be re-painted and the inside needs to be looking more spacious to attract more customers. Product I did not have the opportunity to get a good look at their menu because at the time they were not open, but from what I saw there was a range of fried and battered fish food, chips and drinks which is what their customers would expect and this makes them look good. There was a problem though which was that on the outside of the shop there was a label that said kebabs that is something that you wouldnt expect in a fish and chip shop and I dont know if they do sell kebabs but if they didnt then that would be misleading the customers which would be irritating for them and they could potentially lose customers. If they did have kebabs then it would be inappropriate. Price I was not able to ask or look at the prices that they had for their food but the price needs to be below five pounds for each product and above a pound. If the products are priced too highly customers would not buy from that shop and if it was too low then they will be at a loss and will not be able to run efficiently. Theoretically the lower the price the more demand there is for that product, but you also need to balance between charging high enough to cover costs but low enough to keep the customers buying. Sometimes even if the prices are high the demand still remains the same, this is because things like customer service is good and the product also should be better than others. For the seafood shop it means that they need to be friendly to customers, deliver orders on time and put the customers needs and requests first. Promotion Walking along Burnham high street I did not see any form of promotion for the seafood shop. This is one of the crucial factors of getting a small business to succeed. If people do not know where you are or even if you exist then how will you get more customers? The seafood shop does not even have a website which means that it makes it harder for people find out about such a shop. The locals around Burnham high street might know about the shop but not many other people will. Therefore they need to find a form of promotion that will allow them to be known but not too expensive either. Picking the promotion The ways of promotion best for SeaWorld is through leaflets through letter boxes, this is a form of promotion suited to this business because it will be spread throughout the local area, because people from other areas are not going to travel a long way just to get to SeaWorld and it is not that expensive. The down side to leaflets is that it is often seen as junk and discarded, so it has a low success rate and you would need to find someone to hand them out or put them in letterboxes this means they need to pay that person as well. Another way that is cheap and affordable is advertising in the local newspaper, this would reach a wide local audience and there is only the cost of publishing it in the newspaper. The size of the advert can be adjusted so that it fits the budget of the seafood shop, but to get a large sized advert that is well designed it may be expensive. Another promotion that is totally free, very reliable and trustworthy is customer word-of-mouth recommendation; this is when customers recommend the shop to family and friends. When it is recommended by family and friends people trust that it is a good shop and go there, but it is the customers choice to do it and you cannot control it. You can aid this by providing excellent customer service, good value for money and good standard of food. A good thing to advertise is offers like buy one get one half price or tokens on newspaper or leaflets that have good offers which they can claim. Offers for a meal are actually cheaper than buying them all individually so it encourages customers to buy more and they would chose a place that has offers on food to one that does not. Loyalty cards are also a good incentive to get new customers and keep existing customers to come back for more and this would increase sales because a certain number of purchases would get them a reward, which is normally more food. Frequent customers would feel angry that they do not get discounts or complimentary food. Survey of worker We did a questionnaire on the worker about the Seafood shop, and working conditions and he seems to be very positive about working there, but from how he spoke we realised that he was being bias so we cannot really trust everything that he said. He said that it was a good environment to work in and that the working conditions were good. The environment would be good because it would be busy. The workers seem happy and motivated therefore I would expect the customer service to be good as well and the food to be of a good standard. I asked what kinds of fringe benefits or monetary benefits they get but it seemed that he did not get any. The staff cannot be kept well motivated for long without any benefits. The owners can make the staff more motivated by giving monetary benefits at first and then fringe benefits. At first they would find that money is what they need and will be motivated when money is at the other end and it will be cheaper to give small monetary benefits than fringe benefits. When the business grows it can afford fringe benefits and the workers need benefits other than money to motivate them. The easiest fringe benefit could be a discount on the food in the fish and chip shop, or free lunch for the workers. To keep them well motivated there needs to be a better fringe benefit that they will get for working well or achieving a target number of sales.

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1.3 Rationale for Research Topic Employee engagement is a relatively new concept which has been heavily marketed and publicised by management consultancies. The reason for this is because many of these management consultancy firms suggest that employee engagement can affect the bottom line, increase business performance, profitability and customer service Macey & Schieder (2008 P:). Increasing levels of engagement is becoming more important to an organisation because the outcome of employee engagement has been reported to correlate with performance. The CIPD through their research into employee engagement have identified that engaged employees are more likely to deliver business performance (CIPD 2010) Research into engagement has unveiled that individuals who are engaged are more likely to show enthusiasm for the work they do, show willingness to do well and are likely to be engaged by the values of the organisation. To understand what this can look like engagement can be determined by measuring its characteristic (vigor, dedication and absorption) and when measured can be found to be positively related to an individual’s job performance (Bakker et al 2008) Although ‘engagement' can be seen as a buzz word it has also been identified that for such a well-used term there is little associated research in the field of engagement (Robinson et al, 2004). Several of the key concepts of employee engagement derive from social psychology, drawing upon theories that are concerned with motivation, organisational behaviours and attitudes. Some academics argue that employee engagement is basically old wine in new bottles because key concepts by theorists such as Hertzberg, Maslow and Alderfer underpin the notion of employee engagement (Rob... ...ent and sustain it, you must approach it at three different layers of the organisation - the individual, the manager and the executive. Individuals must own their engagement. They cannot expect HR or the organisation to provide a blanket formula that will fit their unique needs. Managers cannot make employees engaged, but they can act as coaches to facilitate their team members' engagement journeys. Managers need to understand the unique interests, talents and aspirations of their employees, and then align these with specific organisational priorities and projects. Executives also have a specific and important role to play. Their focus must be on creating a culture that fuels engagement and business results. Senior teams must 'walk the talk' by demonstrating their own engagement, sharing their passion in candid, consistent communications† (HR Magazine 2013)

Symbolism and Religious Drama: T.S. Eliot’s Murder in the Cathedral

In 1163, a quarrel began between the British King Henry II and the Archbishop of Canterbury, Thomas Becket. The men had been good friends, but each felt that his interests should be of primary concern to the nation and that the other should acquiesce to his demands. Becket fled to France in 1164 in order to rally support from the Catholic French for his cause and also sought an audience with the Pope. After being officially (although not personally) reconciled with the King, Becket returned to England in 1170, only to be murdered as he prayed in Canterbury Cathedral by four of Henry's Knights. Three years later, he was canonized and pilgrims—Henry among them—have made their way to his tomb ever since. The allure of such a story for a dramatist is obvious: there is a great conflict between human and divine power, a strong central character and a number of complicated spiritual issues to be found in his death. In 1935, T. S. Eliot answered this â€Å"calling† to compose a play for that year's Canterbury Festival; the result was a work that revitalized verse drama—a form that had not been widely employed for almost three hundred years. Critics praised Eliot's use of verse and ability to invest a past historical event with modern issues and themes, such as the ways in which lay persons react to the intrusion of the supernatural in their daily lives. In part because it is a religious drama which appeared long after such plays were popular, Murder in the Cathedral is still performed, studied, and regarded as one of Eliot's major works, a testament to his skill as a poet and dramatist. In its assessment of Eliot's importance to modern English literature, A Literary History of England argues that a shift from despair to hope-a change from â€Å"the ‘inert resignation' of those who breathe the small, dry air of modern spiritual emptiness† to something more positive and potentially transcendent-can first be detected in Eliot's â€Å"Ash-Wednesday† (1930), â€Å"of which the theme is the search for peace found in humble and quiet submission to God's Will†. This theme, clearly an expression of the Anglo-Catholicism Eliot embraced during his life, appears again throughout Murder in the Cathedral. It informs and breathes through the entire text of the play, as the commentary above has demonstrated. In Murder in the Cathedral, the â€Å"inert resignation† of modern life manifests itself in the Chorus' refusal to embrace transcendence: the women of Canterbury are content to go on â€Å"living and partly living. † As they state, even imploringly to Becket, on several occasions, they â€Å"do not wish anything to happen. They do not want the wheel of God's pattern to begin turning. As do all moderns in Eliot's estimation, they â€Å"fear the injustice of men less than the justice of God. † They are not ready to live, as Becket was, â€Å"out of time. â€Å"Yet, through Becket as he portrays him, Eliot forcefully argues that such transcendence must be achieved. In keeping with biblical testimony about the nature of spir itual power versus temporal power, however, Eliot posits that transcendence cannot be achieved by force. It arises, not through utilitarian machinations (such as those the Four Tempters propose to Becket in Part I), but by, in the Literary History's words, â€Å"humble and quiet submission to God's Will. † As Becket himself declares, â€Å"I give my life / To the Law of God above the Law of Man. † His triumphant affirmation of faith echoes the words of the New Testament: â€Å"Whether it is right in God's sight to listen to you rather than to God, you must judge; for we cannot keep from speaking about what we have seen and heard† (Acts 4:19-20); or again, â€Å"Do you not know that friendship with the world is enmity with God? (James 4:4). Only by valuing â€Å"friendship†-i. e. , a total alignment of mind and soul and will-with the spiritual, with God, over such friendship with the world or the temporal order of the status quo, can â€Å"peace†-that elusive goal referred to throughout the play: in Becket's fragile relationship with King Henry; as Bec ket's greeting to the Chorus in Parts I and II; as the turning of God's wheel of providence-be found. In this way, the themes of Murder in the Cathedral aptly crystallize the themes of Eliot's own life-long work. The wheel was a symbol, in medieval times, of the â€Å"wheel of life† or the â€Å"wheel of fortune,† â€Å"which never stands still, being constantly subject to the turns of fate† (Dictionary of Symbolism, p. 379). No doubt Eliot draws on these ancient associations in his text's multiple references to the wheel, but he also subverts them by stating that, in fact, the wheel of fate-or, in Eliot's Anglo-Catholic worldview, of God's providence and plan for history-has in fact been standing still during Becket's seven-year absence from Canterbury. As discussed earlier, the length of Becket's exile is itself of metaphorical importance, since seven symbolizes totality and completeness. ) Becket's task is to set the wheel turning again: to take his part, willingly and completely, in God's â€Å"pattern† (another word-image that occurs frequently in the text) so that the wheel can resume turning and that â€Å"peace† can replace the mere existence of â₠¬Å"living and partly living. â€Å"The seasons also carry symbolic freight in Eliot's play. The most notable example is the Chorus' invocations of the passage of the seasons at the beginning of Part I and then at the end of Part II. At the beginning of the play, the passing seasons are in actuality one long season of waiting, one endless Advent. But by the play's end, after Becket's martyrdom, the seasons in their cycle have become part of human beings: â€Å"Even in us the voices of seasons . praise Thee. † Eliot's use of seasonal imagery will no doubt remind readers of his work in The Waste Land (1922). That epic poem's first line, â€Å"April is the cruelest month,† reinforces the poem's dominant mood of pessimism in the face of what Eliot sees as the moral and spiritual bankruptcy of the then still-young twentieth century. As in Murder in the Cathedral, the passage of the seasons in The Waste Land is not a healthy cycle of life, death, and rebirth. Life has become stuck in â€Å"living and partly living. † Still, even The Waste Land was â€Å"not merely a poem of despair of the present but of hope and promise for the future, since at the close the thunder speaks, foretelling the coming of the life-giving rain† (Baugh, p. 586). In a similar way, Murder in the Cathedral ends in hope-although more tempered by a realization of humanity's reluctance and inability to, in Becket's words, â€Å"bear too much reality. † Still, the â€Å"redemption† of the seasons is an important symbolic motif in the play, as it was in Eliot's earlier work. Becket's retur n to Canterbury is clearly framed in terms that allude to Jesus' â€Å"Palm Sunday† entrance into Jerusalem. For example, the Messenger's description of how the crowds are greeting the returning Becket-â€Å"with scenes of frenzied enthusiasm, / Lining the road and throwing down their capes, / Strewing the way with leaves and late flowers of the season†-is surely intended to remind Eliot's audience of Jesus' so-called â€Å"triumphal entry† into the holy city of Jerusalem on Palm Sunday: â€Å"Many people spread their cloaks on the road, and others spread leafy branches that they had cut in the fields† (Mark 11:8; see also parallels in Matthew 21 and Luke 19). In some Christian liturgical traditions, Palm Sunday is also called â€Å"Passion Sunday,† to indicate that it is the beginning of Jesus' sufferings. Thus, Eliot strongly associates Becket's â€Å"triumphal entry† into Canterbury with Jesus' â€Å"triumphal entry† into Jerusalem-a seeming victory procession that leads to martyrdom and death, and can therefore be considered victorious only in hindsight, through the eyes of faith, on the far side of resurrection. (A further allusion to the Palm Sunday narrative, incidentally, occurs when the second priest tells the women to keep silent, earning himself a rebuke from Becket. In a similar way, Jesus rebuked the religious authorities of his day for ordering the crowds who welcomed him to keep silence: Jesus told them, â€Å"I tell you, if these were silent, the stones would shout out† [Luke 19:40]. ) Overall, these parallels are meant to establish Becket as a salvific Christ-figure whose death will bring the blessing of transcendence to humanity. As Eliot wrote in Becket's Christmas sermon, mourning and rejoicing (note the repeated refrain, â€Å"Rejoice we all, keeping holy day†) commingle at Christmas; birth and death jostle for worshipers' attention; martyrdom-witness-takes precedence in the church's marking of the time. Understanding the significance of these three festival days increases our appreciation of the martyr's purpose, as exemplified in Becket's own death: to make transcendence available to human. The titular hero of the biblical book of Daniel, who remains steadfast to God (in the context of Eliot's dichotomy, read: spiritual) in the face of pressures to assimilate to a pagan (read: temporal) culture. Ezekiel 14:14, 20 also praise Daniel as an exemplar of righteousness, even as Becket is as he faces death. Ironically, of course, Daniel, according to the Bible, was delivered from the lions' den as a consequence of his faithfulness to God. No such physical deliverance awaits Becket. The archbishop does, however, seem to mirror the attitude of Daniel's three friends Shadrach, Meshach, and Abednego, who, faced with death in a fiery furnace for refusing to worship an idol, declared, â€Å"If our God whom we serve is able to deliver us. let him deliver us. But if not, be it known to you, O king that we will not serve your gods. † (Daniel 3:17-18). Becket, like Daniel's friends, is ready to die for God (the spiritual): â€Å"Do with me as you will† (p. 76). Thus, the knights' invocation of Daniel at this point in the text creates a wealth of allusive value that illuminates Eliot's themes. The impending moment of Becket's martyrdom takes on an existential significance as the Chorus reflects upon what awaits humanity after death. The Chorus identifies Death s â€Å"God's silent servant,† and acknowledges, in orthodox fashion, that Judgment awaits mortals â€Å"behind the face of Death. † The Chorus then, however, strikes a decidedly unorthodox tone in affirming that â€Å"behind Judgment [is] the Void, more horrid than active shapes of hell† (p. 71). In terms that again echo Eliot's earlier work, The Waste Land, the Chorus describes this Void as: â€Å"Emptiness, absence, separation from God; / The horro r of the effortless journey, to the empty land / Which is no land, only emptiness, absence, the Void. † (p. 71). Ironically, however, it is this very â€Å"Void,† free of distraction, with no opportunity to avoid a truthful gazing upon oneself, that Becket is embracing in choosing to die a martyr's death. This speech of the Chorus thus seems to emphasize, once more, a distinction in Eliot's mind between men like Becket-the â€Å"saints† who cause the wheel of God's pattern in time to turn-and ordinary mortals, who are content-even though they deny it! -to merely exist, to be only and always in Advent, only and always waiting, only and always â€Å"living and partly living. † Truly, we cannot bear too much reality! We do not wish to stare into the void, the abyss. But Eliot, like other existential thinkers of the twentieth century, understand that peering into that abyss is fundamentally a salvific, liberating act, signified in Eliot's play by the â€Å"saving† consequences of Becket's death for a world that would rather not be saved. Character profilesThe Chorus is an unspecified number of Canterbury's women, is a corporate character serving the same purposes as does the chorus in Greek drama: to develop and, more importantly, to comment on the action of the play. The women's initial speech fairly defines their dramaturgic role: â€Å"We are forced to bear witness. † And yet this chorus, like its ancient Greek predecessors, is no mere, dispassionate, objective â€Å"eyewitness†; rather, it is a witness bearing testimony to truth-almost as in a legal proceeding, but that analogy fails to capture the nature of the testimony the chorus offers. In commenting upon the action of Thomas Becket's murder, the women are voicing insights into, reflections on, and conclusions about time, destiny, and life and death. In the end, they emerge as representatives of ordinary people-such as those who make up the audience of the play, or its readership-people who, mired in and having settled for an existence of â€Å"living and partly living,† are unable to greet transcendence when it is offered to them. As they state in the play's final moments, not everyone can bear the â€Å"loneliness, surrender, deprivation† necessary to become a saint. Not all can be saints-but all can pray for their intercession. Thomas Becket is the Archbishop of Canterbury, former Chancellor to King Henry II, now estranged from the monarch because he insists upon the right of the Church to rule in spiritual matters-a rule that, in practice, has ramifications for how the king ought to rule in temporal matters. Unlike the Chorus, Becket is able to stare into the existential abyss-that â€Å"Void† behind death and judgment, mentioned in Part II, that is â€Å"more horrid than active shapes of hell. Becket is often accused of pride in the play, but he is actually humble in submitting himself completely to the will of God as he comprehends it. His death offers a glimpse of how transcendence can be achieved: the only question that remains is whether the rest of humanity is able to trace the same path, to â€Å"give [its] life / To the Law of God above the Law of Man. â€Å"The Four Tempters present Becket, in Part I of the drama, with various ways of avoiding his impending death as a martyr. Their temptations correlate, to one degree or another, with the justifications of Becket's assassination offered to the audience by The Four Knights at the end of the play. In a prefatory note to the play's third edition (1937), Eliot indicated that the roles of the Tempters had been intended to be doubled-that is, played by the same actors-as the roles of the Knights, thus underscoring the connection between the two quartets in an even stronger fashion. The Three Priests serve the (admittedly little) dramatic action of Eliot's play, particularly in Part II, when they urge Becket to bar the doors of the Cathedral against the knights-although they characterize them as savage beasts-who seek his life. They could thus be seen as representing the temporal order: indeed, Becket at one point accuses them of thinking only as the world does-â€Å"You argue by results, as this world does. † On the other hand, the Priests also are capable of offering insight into the spiritual order. For example, the Third Priest affirms the Church's endurance in the face of world built on the ruins of the presumed absence of God; and earlier, he offers a key interpretive insight by stating, â€Å"Even now, in sordid particulars / The eternal design may appear. † Like so many of us, then, the priests have one foot, so to speak, in the spiritual and the other in the temporal; and they struggle to balance the two orders as best they can, as do we all. Unfortunately, according to the argument of Eliot's drama, there can ultimately be no balancing: peace-that is to say, transcendence-is to be found only in the complete submission to God's design, God's pattern, God's wheel of providence. Mortals, say both Jesus and Eliot, cannot serve two masters-and so the Priests are fundamentally impotent, unable to do anything but to pray to God with heavy reliance upon the intercession of Saint Becket, as they, in their own way but like the Chorus, go on â€Å"living and partly living. â€Å"

Of Mice and Men Foreshadowing Essay

Of Mice and Men is a Novella written By: John Steinbeck. This book is about two friends who face the challenges of humanity and the world around them. In the novella of Of Mice and Men, John Steinbeck uses foreshadowing to give the reader hints or clues about other events in the story. John Steinbeck uses foreshadowing with the event of the Killing of Candy’s dog, Curley’s wife is a â€Å"rat trap†, and Curley harassing Lennie throughout the novella. One example of foreshadowing is when Carlson kills Candy’s dog. And this foreshadows that George will kill Lennie, because they were both put out of their misery, and that when Candy said â€Å"I ought of shot that dog myself† (61). And when George kills Lennie at the end of the book they both wanted to kill them by their selves even though George did do it himself. If George didn’t kill Lennie himself he would hav ended up getting tortured and killed by someone else he just felt better if he had did it himself Another example of how John Steinbeck uses foreshadowing is when they say that Curley’s wife is a â€Å"rat trap† that fore shadows that Lennie will talk to her and might go farther and end up touching her more roughly because he likes soft things and doesn’t like to let go like he did in WEED and ended up getting ran out of WEED. So when Curley’s wife lets Lennie touch her soft hair that was a bad decision on her part because he kept getting rougher and when she tries to say stop and go away Lennie won’t let go. So Curley’s wife screams and Lennie gets scared and then grabs her and tells her to stop but in the process he snaps her neck because he doesn’t know his own strength he can’t control it. Finally, foreshadowing can be seen when Curley harasses Lennie for not talking and because he is bigger than him. That foreshadows that they might get into a disagreement or an argument possibly a fight. So when George was talking for Lennie, Curley said â€Å"let the big guy talk â€Å". But earlier that day George told Candy ,†well he better watch out for Lennie, he aint no fighter but he is strong as a bull† (27). Because Lennie is very strong. Curley doesn’t like bigger guys which Lennie is. So I drew a conclusion that they will most likely fight which they do and Curley was beating Lennie until George told Lennie â€Å"GET HIM!† Lennie crushed his hand because of his uncontrollable strength he has. John Steinbeck uses many examples of Foreshadowing in Of Mice And Men. Foreshadowing gives the readers hints or clues throughout the story. John Steinbeck uses foreshadowing mostly with George and Lennie. All these examples of foreshadowing lead to the death of Lennie and the failure of a dream. John Steinbeck uses foreshadowing with the event of the Killing of Candy’s dog, Curley’s wife is a â€Å"rat trap†, and Curley harassing Lennie throughout the novella.

Free Essays on Electrochemistry

Imagine that we have an object that is made of copper or steel, and that it has been properly cleaned, and that we now want to plate it with nickel. A wire is attached to the object, and the other end of the wire is attached to the negative pole of a battery (the wire is blue in this picture). To the positive pole of the battery we connect the red wire; the other end of the red wire we connect to a rod made of nickel. Now we fill the cell with a solution of a salt of the metal to be plated. It is theoretically possible to use a molten salt, and in rare cases that is done, but most of the time the salt is simply dissolved in water. The NiCl2 ionizes in water to Ni++ and two parts of Cl- Because the object to be plated is negatively charged, it attracts the positively charged Ni++. The Ni++ reaches the object, and electrons flow from the object to the Ni++. For each atom of Ni++, 2 electrons are required to neutralize it or reduce' it to metallic form. Meanwhile, the negatively charged Cl- ions are attracted to the positively charged anode. At the anode, electrons are removed from the Nickel metal, oxidizing it to the Ni++ state. Thus the nickel metal dissolves as Ni++ into the solution, supplying replacement nickel for that which has been plated out, and we retain a solution of nickel chloride in the cell. We used nickel chloride as the first example here for a number of reasons, including simplicity. But we do not recommend that nickel be used for school science demonstrations because some people are quite allergic to it; and we do not recommend that chloride salts be used, because it is possible to release chlorine gas from them.... Free Essays on Electrochemistry Free Essays on Electrochemistry Imagine that we have an object that is made of copper or steel, and that it has been properly cleaned, and that we now want to plate it with nickel. A wire is attached to the object, and the other end of the wire is attached to the negative pole of a battery (the wire is blue in this picture). To the positive pole of the battery we connect the red wire; the other end of the red wire we connect to a rod made of nickel. Now we fill the cell with a solution of a salt of the metal to be plated. It is theoretically possible to use a molten salt, and in rare cases that is done, but most of the time the salt is simply dissolved in water. The NiCl2 ionizes in water to Ni++ and two parts of Cl- Because the object to be plated is negatively charged, it attracts the positively charged Ni++. The Ni++ reaches the object, and electrons flow from the object to the Ni++. For each atom of Ni++, 2 electrons are required to neutralize it or reduce' it to metallic form. Meanwhile, the negatively charged Cl- ions are attracted to the positively charged anode. At the anode, electrons are removed from the Nickel metal, oxidizing it to the Ni++ state. Thus the nickel metal dissolves as Ni++ into the solution, supplying replacement nickel for that which has been plated out, and we retain a solution of nickel chloride in the cell. We used nickel chloride as the first example here for a number of reasons, including simplicity. But we do not recommend that nickel be used for school science demonstrations because some people are quite allergic to it; and we do not recommend that chloride salts be used, because it is possible to release chlorine gas from them....

How to Convert Fahrenheit to Celcius

How to Convert Fahrenheit to Celcius Here is how to convert  °F to  °C. This is actually Fahrenheit to Celsius and not Fahrenheit to Celcius, though the mis-spellings of the temperature scales are common. So are the temperature scales, which are used to measure room temperature, body temperature, set thermostats, and take scientific measurements.   Temperature Conversion Formula The temperature conversion is easy to do: Take the  °F temperature and subtract 32.Multiply this number by 5.Divide this number by 9 to obtain your answer in  °C. The formula to convert  Ã‚ °F to  °C is: T( °C)   (T( °F)  - 32) Ãâ€" 5/9 which is T( °C)   (T( °F)  - 32) / 1.8  °F to  °C  Example Problem For example, convert 68 degrees Fahrenheit into degrees Celsius: T( °C)   (68 °F - 32) Ãâ€" 5/9 T( °C)   20  °C Its also easy to do the conversion the other way, from  Ã‚ °C to  Ã‚ °F. Here, the formula is: T( °F)  Ã‚  T( °C)  Ãƒâ€" 9/5 32 T( °F)  Ã‚  T( °C)  Ãƒâ€" 1.8 32 For example, to convert 20 degrees Celsius to the Fahrenheit scale: T( °F)   20 °C Ãâ€" 9/5 32 T( °F)   68  °F When doing the temperature conversions, one quick way to make certain you did the conversion right is to remember Fahrenheit temperatures are higher than the corresponding Celsius scale until you get down to -40 °, which is where the Celsius and Fahrenheit scales meet. Below this temperature, degrees Fahrenheit are lower than degrees Celsius.

Stadiums are bad for economy of a city and tax payers pay the cost (4 Research Paper

Stadiums are bad for economy of a city and tax payers pay the cost (4 real life examples, TABLES AND CHARTS) Cost enefit analysi - Research Paper Example However, the income generated in the stadiums does not directly benefit the taxpayers and the residents of the city. The amount that the fans spend when watching a match does not benefit those who work in the stadiums. The amount does not lead to increased growth of the local economy because the amount is not included in the local economy. The employees, who work in the stadiums and other sources of the stadiums like the taxpayers, do not benefit from the money earned. Instead, the biggest share of the amount pays the players. However, most of these players in many cases do not belong to the local community. Therefore, the local community, which pays tax to help in construction of the stadiums, does not benefit too. Though the stadiums collect large amounts of money, the money is spent in other locations (Barros et al. 42). Taxpayers who contribute towards the construction of the stadiums do not attend the events that take place in the stadiums yet they pay for the events indirectly through tax. Stadiums fail to improve and develop the local economy because it concentrates more on the intensity of labour. In this case, low levels of unskilled type of labour activities take place within the metropolitan area. The people who benefit from this type of unskilled labour do not get high wages or salaries. This leads to a fall in the share of the income of the region because those who are highly skilled do not get a chance to get a job in the stadiums. The jobs that the local community gets are either temporary types of jobs or part time jobs, which are not effective to improve the economy of the local region that has the stadium facility. Construction of a stadium assists a team from the community. However, the players who play for the city do not live in the city. The assumption made by the metropolitan is that even if the players do not contribute much in building of the stadium, maybe they spend their money doing shopping and paying house taxes (Andreff and Szyman ski 56). However, most players have houses far away from the cities in where they live with their families, do shopping, and spend their leisure time. The space used to construct the stadium is large enough hinder expansion and development of a city. Those people whose land is taken to cater for the area of construction of the stadium get angry and leave the city (Morris 67). However, the people who leave the city may be good businesspeople who can invest and create job opportunities for the local community and by doing so; the economy of the city can grow to a higher level. Some of those people could be good investors, and this hinders them from investing in construction of commercial buildings, which would bring more income to the city through tax and to the dwellers of the city. When a city lacks potential investor to invest in the transportation sector and other smart type of investments, which lead to economic growth, the economy is likely to go downwards. Therefore, constructi on of the stadium does not support a city’s expansion and development. The cost of operating the stadium is very high. However, this amount used in maintenance and operations in the stadium